Young Justice Season 4 Episode 22
Remember all those kidnapped kids last season? Markovia, vaguely eastern European home to Brion Markov, was briefly home to a metahuman trafficking ring led by Baron Bedlam. They kidnapped kids, soaked them in super goo, and the ones who lived had their meta gene activated. They were then sold to various partners through Bialya, including to Darkseid, Granny Goodness, and the hordes of Apokolips. Turns out one of those kids is the Kaizer-Thrall. Conner, meanwhile, is starting to remember who he is in the Phantom Zone. Sharing that with Zod and Ursa goes…not well…as they’re pretty pissed to find out that he’s an El, that Krypton has been destroyed, and that they’ve been trapped in the zone for more than 40 years. Phantom Girl wraps up the episode by trying to warn him of exactly who he’s throwing in with. This episode isn’t quite as good as the last arc, but it’s still quite good. It’s a continuation of the very strong run we’ve seen from Young Justice: Phantoms since the break. And it makes the first half of the season more frustrating on reflection because of how much they’re doing in the second half and how effectively they’re doing it. But that’s not what jumped out at me the most this week. It’s the callback to Outsiders that really dropped my jaw. The credits sequences this season have been mostly a mixed bag. Some are cute, like Forager and Forager doing Romeo & Juliet. Some have been easy to ignore – Artemis reading Alice in Wonderland jumps to mind. But this week’s is the one of the only ones that feel really, truly material to the story, not just of Phantoms, but of the entire arc of Young Justice as a whole. Lantern Forager is shown on Oa while the Guardians examine the Kaizer-Thrall, as they realize that not only is the torture box sentient but it’s also got the mind of an 11-year-old boy in it. There was always a certain element of horror to what Apokolips was doing to the kids. Granny Goodness is a monster and has been a monster since her introduction in Jack Kirby’s original Fourth World stories. The Ed Asner casting in the Bruce Timm cartoons only cemented how terrifying she is: he put a lilting, menacing sweetness into his performance that made her genuinely scary. Mashing a preteen kid into a torture box is exactly the kind of thing that messed up old lady would do.
